The bountiful tree is the focal point of the composition, surrounded by several birds and animals that reap the benefits. Madhubani paintings showcase both the Bodhi tree and the Ashwatha in their paintings, though the latter is more frequently seen. It regenerates through yugas and is considered a kalpavriksha, wish-fulfilling tree. The peepal tree according to Hindus has eternal life and harmony. This tree is called Ashwatha, literally translates as: ‘ashwa’ meaning infinity and ‘tha’ meaning one that remains. In Hinduism, a peepal tree under which Krishna passed away is known as the tree which embodies the entire cosmos. In Buddhism, a peepal tree at Bodh Gaya is considered as the tree where Siddhartha awakened through meditation and gained enlightenment, becoming Sakyamuni Buddha. Madhubani has been a prominent region in the learning and growth of both Buddhism and Hinduism. The symbol of ‘tree of life’ is found in abundance since time immemorial and it is no surprise that they are depicted in an artform that is heavily inspired by natural motifs- Madhubani painting. In others, it is seen as a symbol of wisdom and knowledge, the entity that stands firm through time with a memory of all of mankind’s history. In some texts it is revered as a symbol for the universe itself, the existence of which makes this planet conducive to our birth and sustenance. The symbol has been found sculpted or painted in relics of ancient civilisations and till today continues to be an inspiration for modern artists. This concept elevates the symbol of the tree to a sacred one, which is respected and worshipped all over the world, Buddhism, Hinduism, Christianity, Islam, Judaism. The theme of the painting is based on a philosophical concept known as the ‘Tree of life’.
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